For some decades rapidly improving CAD programs have been playing ground for experiments with physical, organic form. The seemingly unfathomable complexity of shapes and spaces that have been explored are currently speeding up craft innovation, beyond the tradition of modern science and alien to the traditional logic of crafting. In response to the difficulties of materializing virtual design, craftmanship is moving fast forward to 
a more immediate experience of the physical model. Acribic control of the virtual model and a profound understandig of material behaviours result from this movement, a movement that has already been framed as digital craftmanship.